Tuesday, May 17, 2011

Week of 5/15: SoundClick.com Hip-Hop Top 5

Have I mentioned I love hip hop lately? I think artists, myself included, spend a lot of time complaining about the state of hip hop, but what I like an appreciate about the music is that it has a lot of different aspect and sub-genres, styles and messages, all which offer something different while at the same time being enjoyable. With that, I present a very interesting top 5 for the week.
Boss Game - It's All G
http://soundclick.com/share.cfm?id=10606189

Mike Game Music - Get Down
http://soundclick.com/share.cfm?id=10649603

Valo the Inovata - Storyteller
http://soundclick.com/share.cfm?id=8330651

Mod D - Still Ridin' Clean
http://soundclick.com/share.cfm?id=10593425

He Man Huff - Watch What U Say (f/ Thuggy Fresh)
http://soundclick.com/share.cfm?id=10643355
This week, Boss Game "SLAP!"s you in the face (play the track, you'll get it) with a banging track titled "It's All G." Frankly, it's not different than anything I've heard before, but I think that the beat, lyrics, and flow actually present a *feeling* that represents what the song is talking about. The "it" factor plays a role in here garnering the #1 spot. It really reminds me of something I'd hear Paul Wall (big Paul, not skinny Paul) rapping about, and if you've listened to him, you know he's really hit or miss. This track is on the good side of that. Finally, the actual composure of the track is well done, in terms of the mixing of both the hook and the verses. This attention to details makes for not just a good track, but a complete song, which you don't always find on Soundclick, so you have to appreciate the time put into the work.

Follow that up with "Get Down," presented by Mike Game Music. This track has a nice bounce to it with some aggressive lyrics to complement. The third verse shines for me with some nice rhymes and is an overall thumbs up track. I think the hook should have had actual words over the sample, though, but it's not bad as-is. Wordplay here was also interesting, but the filler lacked a bit of substance which sort of gave off a "why am I listening to this" feel. That's where the third verse comes in and brings back some much-needed focus to the song and probably the best verse lyrically. Overall, this assault with a barrage of lyrics that stands tall in the top 5, but a slight lull in the middle & a craving for a hook has me asking for a bit more.

"StoryTeller" by Valo the Inovata is a strong track that, as the name suggests, tells a story -- or two. My first gripe here is the mix quality. This track would be a lot stronger with better quality, and I feel that attention to detail is necessary for a track like this. The second verse sounded (quality-wise) better than the first, so if you could sync that up, this would be even better. Despite that, the stories are strong and clear. One thing I noticed was the lyrics were a bit overly simple for me. I understand that with stories, clarity trumps being lyrical, but at the same time, it was a bit too "club to the head" for me. I think some details could have been fleshed out more. One thing people tend to do when telling stories when they are inexperienced with it is skip out on details that they themselves are fully aware of. Your audience at least needs some backdrop and information about these personal stories in order to become invested and relate to the track. That said, it's still a powerful track, if nothing else, for a magnificent backdrop provided by the beat, and even with the flaws, it still shines.

Mod D's "Still Ridin' Clean" was originally slated to round out the top 5 this week, but after another listen, I bumped it up to #4. For me, this was the most disappointing track in the list, but not for the obvious reasons. The song itself is pretty much (mercifully) 32 bars and a hook about getting head, not obvious from the song title. If you thought Royce da 5'9" talked about his manhood a lot, well ... you haven't heard anything yet. The disappointing thing for me here is that the lyrics and especially the flow are actually on-point, interesting rhymes and some wordplay here and there actually keep the song interesting throughout, despite the subject matter. It makes me want to hear this rapper actually rap about something. I feel like he has a talent and a chance to break out and shine based on his work here, and I challenge him to take on a broader range of topics that do more than scratch the surface and review topics we've heard a thousand times. Maybe I'm wrong, but I feel like he has a lot more to offer than we were shown with this outing. That said, the song, though something I've heard before, works well and has a smooth feel to it; I feel like the artist accomplished what he set out to do with the track, so that earns points. Again, this track just gives me a "tip of the iceburg" feeling that makes me demand more.

He Man Huff & Thuggy Fresh present a T.I.-esque warning with "Watch What You Say" to round out the top 5. A laconic, but fitting, hook does the warning, interluding verses going into further discussion of specifics. The first verse stands out at the best of this track but the second Thuggy Fresh hops on the mic, I kind of lose patience. Keep in mind, the mix here was distracting already, so the ice was already thin. The reason, for me, is because the lyrics were exact lines I've heard time and time again, and the mix make him sound a bit goofy; it's too offsetting against the other verse & hook for me. Regardless, while this song is not my particular cup of tea, I think that the target audience will feel it after a bit of attention to the mixing. As-is, it lacks the replay value and originality to make it bang.

Overall, as I said at the beginning, hip hop has always been about expression and diversity, and I think the top 5 delivers on that, from tracks based on lyrical assault to riding anthems, from stories to hood rap, I think there is room for it all when it is done well. The goal is really to represent and relate to your audience, and despite the flaws in some of the tracks, I think everyone does a good job in that aspect. Of course, there is room for improvement everywhere, but as a listener, I can appreciate the work and applaud the entrants.

Look forward to next week!

N. Talekt

Monday, May 9, 2011

Week of 5/8: SoundClick.com Hip-Hop Top 5

This week gave some tough decisions as to the top five ordering, but for me, the final verdicts came down to replay value. What song would I play again? Here's the rather enjoyable list for the week:
He Man Huff - It's All On Me
http://soundclick.com/share.cfm?id=10608381

Boss Game - The Way I Be
http://soundclick.com/share.cfm?id=10598697

Chayse MacLair - I Aint Tossin In the Towel Remix
http://soundclick.com/share.cfm?id=10606870

Stat Boi - No Lie (f/ Jamar and Deshawanna)
http://soundclick.com/share.cfm?id=10597267

Mic S. - I Am Just a Monster (f/ Boss Game & N. Talekt)
http://soundclick.com/share.cfm?id=10610473
This week, He Man Huff snatches the top spot with "It's All On Me." Why? Simple: replay value. A simple track with three verses with storytelling lyrics cover personal topics for the artist in a way the listener can relate to. The hook ties the stories together well, just as a good hook should. The quality could be better mix-wise, put getting past that, the track is great. A big part of having a successful track is being able to have your audience not just enjoy your music, but feel you music. The more they can personalize their experiences with your music, the more they crave your work.

A close second this week comes with a rawkus Boss Game track, "The Way I Be." The beat drops and you can't help but nod your head. Boss rides the beat well here and the rest really takes care of itself. It's a track that sounds official, I could hear it in the car, the radio, the club. The quality is great, even the introductory ad-libs, which is typically where Boss Game's tracks falter. The single issue I had with this song was length and variation. I felt like there should have been a bridge and a third verse. That would have made this song out the park, giving it the variation it needs to be dynamic and repeat-able. As is, it's pretty cool, just missing the edge.

Right up there with the previous two is Chayse MacLair's effort. This track discusses Chayse's refusal to, well, toss in the towel. Chayse carries himself on the mic in a confident, consistent way that makes all of his tracks have potential for breakout success. This is no different. AllRounda supplies a nice backdrop and Chayse keeps the witty, interesting lyrics coming. The quality is pretty good, better than He Man Huffs but not quite as good as Boss Game. I think the bridge here, a missing link in Boss Game's track, was a swing and a miss -- good idea, wasn't feeling the execution.

Between these three tracks, it's hard to say which one shines the most. I would say pick a day, and I may give you a different answer. Today, at this moment, this order is how it shakes out. But frankly, it's a toss up. Chayse did an excellent job with his song this week, Boss Game's song had me rockin, and I was feelin' He Man's topics of discussion. Great job to the top 3 this week.

Now, the four spot is more clearly the four this week; don't get me wrong, I think it may have ranked higher on a less competitive week, but not on this occasion. Overall, the quality is ok, not bad, not perfect, from Stat Boi & company. The song is something to smoke to (which I don't, so maybe that's why I don't relate), with a well-delivered, but nonsensical hook. The verses were a bit pedestrian here, but I'm not sure if that wasn't on purpose. I was expecting a bit more from the girl, but she seemed to put her delivery on cruise control (could also be a mixing fail). Overall, the song comes out solid & I think the target audience would enjoy it, but not my cup of tea here.

For the final spot, a bias choice here rounds out the list with Mic S.'s psychotic track "I Am Just a Monster." Everyone goes in and delivers some nasty verses over a pounding, eerie beat. A fresh sound and a good outing overall.

As always, nice work this week by everyone, especially to the top three this week. Again, a tough decision that could have shaken out in a number of different variations, and I went back and forth with it for some time, but again, after listening to the track multiple times, the one that wore off the least was the one I left atop for today. I expect more of the same next week.

N. Talekt

Sunday, May 1, 2011

Week of 5/1: SoundClick.com Hip-Hop Top 5

A pretty low-activity week this week, but still managed to carve out five songs that you should give a spin this week on SoundClick.com:
Jonny B - Set Me Free (f/ Chayse MacLair)
http://soundclick.com/share.cfm?id=10573021

The True Bonanza - Love Knocked Me Down
http://soundclick.com/share.cfm?id=10583118

Rah Scrilla - Can't Miss This Show (On In Five)
http://soundclick.com/share.cfm?id=10371640

Boss Game - On Top
http://soundclick.com/share.cfm?id=10541680

Established Dons - Killing Spree (f/ G-Lotto)
http://soundclick.com/share.cfm?id=10544565
This week, Jonny B moves up from #5 to #1 with "Set Me Free," a heart-felt tale about love, family, and personal demons. Piercing lyrics and a commanding beat make this song really stick out, and Chayse does what he does providing a smooth hook to bridge Jonny's tale. It's a story we all can relate to, and Jonny provides witty yet well-written lyrics with interesting rhymes to tell the story. Very nice work here; while the selection was small this week, I think regardless, this track would have been top 3 easily amongst a number of competitors.

A gem found amidst the beat promotions, open collabs, and peep my track threads was The True Bonanza's "Love Knocked Me Down." It's well-deserving of some attention, but as of this writing, hasn't gotten any. The song is very well put together, the mixing is decent, and the lyrics are nice. I think the hook is a bit cheesy and some of the rhymes are forced, and words unnatural, but the verses are pretty good, especially the second verse. A confident performance here with a well-delivered hook and great beat make this a great listen, deserving of a spot on the list.

The rest of the tracks are also good listens. Rah Scrilla's "Can't Miss This Show" is aptly named. Witty lyrics woven into a nice anthem for his fanbase make this a standout track for me. Boss Game's "On Top" kinda falls short on the hook, but the verses are smooth and the beat works. Rounding out the list is "Killing Spree", basically one of my tracks to fill the list but a good listen nonetheless and brings something different to the table in relation to the rest of this week's selection.

As always, nice work this week by everyone, happy to see the good work coming out, and I'll be back next week with more...

N. Talekt

Sunday, April 24, 2011

Week of 4/24: SoundClick.com Hip-Hop Top 5

This was a tough list to whittle down. Each artist brings a completely different style, voice, production quality, energy, and perspective. It's hard to compare them against each other, so I went with the songs that I enjoyed personally. Here's this week's list...
Boss Game - Wat Tha Move Is
http://soundclick.com/share.cfm?id=10541679

Chayse Maclair - The Best Fan on the Planet
http://soundclick.com/share.cfm?id=9868611

He Man Huff - I've Changed (f/ Mr. Showtime & Kendra)
http://soundclick.com/share.cfm?id=10540897

Dirty Dollar - Hustle & Grind
http://soundclick.com/share.cfm?id=10515262

Jonny B - Dream Girl
http://soundclick.com/share.cfm?id=10408974
Boss Game has the stand out track this week, with commanding tone, presence, and energy. He utilizes a slow and double-timed flow in his verses over a pounding beat with a menacing hook playing the role of interlude. Nicely done. The rest of the tracks are also fun listens, especially Chayse Maclair's. It's a interesting story with great lyricism and a nasty Anno Domini beat. Next, despite a few miscues, "I've Changed" by He Man Huff and friends is a very nice track to bang that's enjoyable and relate-able. Similarly, Dirty Dollar's "Hustle & Grind" delivers tons of energy with relate-able, familiar music but with an unfamiliar delivery, energy, and performance.

Rounding out the list in a very hotly contested #5 slot is Jonny B's "Dream Girl." This was by far the toughest choice for the list because the final three all had great strengths and weaknesses. I ended up choosing this one because, for me, it had the most replay value. Maybe the luck of the draw for Jonny choosing a song with a great hook, or finding someone to collab with to put a great hook on there (I recall hearing a shout-out), but that plus a great, non-sappy, beat did it for me here. The other candidates actually had very strong songs but, for me, the replay value was not as high as this one.

Still, a great outing for the week, and I encourage you to check the entire list of submissions for hearing some fantastic tracks that you can tell had a lot of hard work and time put into them.

Back next week with more...

The full review rundown is here:
http://board.soundclick.com/viewtopic.php?t=362234

N. Talekt

Saturday, October 24, 2009

Song Review: Rihanna - Russian Roulette

Review: Rihanna's Russian Roulette

Featured On: PrefixMag.com

Alright, first things first; let me get this out the way because, quite frankly, I'm tired of hearing it...

Yes, the song is dark.

There. Take that in. I refuse to turn this blog into a rant (maybe later!) but I will say that just because a song has a dark or somber tone does not automatically disqualify it from being enjoyable. There's a time and place for everything, that included. Now if this was a summertime single, I could be more receptive to the complaints but it's wintertime, it's cold outside. Bring on the darkness!

Then again, this is the opinion of a guy who's last CD was entitled "So Cold" so take that with a grain of salt...

Now regarding the song, it's hot. It's fresh. And I think that combination really sews up my anticipation for her album, Rated R. Rihanna has consistently kept herself in my CD deck (er, iTunes library, this is 2009) because she continually puts out fresh music with interesting angles. The content is such that many can relate to and comprehend, but she and her team approach her work from unique angles which makes her songs interesting to say the least.

Russian Roulette is no different. A slight glimpse between the lines of this song will give you a pretty clear view of the underlying message (which I will leave for the avid reader to interpret for themselves), but the angle she approaches dressing that message with this sort of theme is fantastic.

The technique is also nearly perfect. Light piano keys complement the strong bass drums cleverly mimicking a heartbeat. Familiar cymbals add exclamation points to a very strong chorus of orchestral instruments that bolsters, but doesn't overtake, Rihanna's strong performance. The final icing on the cake here is the deep chilling breaths that Rihanna takes at the beginning and end of the song, signing, sealing, and delivering an impressive front-running effort for her upcoming album.

Of course, with all the reviews I post here, I advise you to give the song a listen and form your own opinion. But it's certainly worth the play. Enjoy!








N. Talekt

(Update: YouTube link died, found a live link.)

Thursday, October 8, 2009

New Release: Rah Scrilla - "Pushed Back"

Yes, y'all, Established Dons are at it again!

My partner in rhyme, Rah Scrilla, has released his latest project, aptly titled "Pushed Back." After a bit of a hiatus, he's back in the booth and is looking to become a steady force. Keep an eye on him in the fourth quarter, and check out his mixtape, "Pushed Back!"

Rah Scrilla - "Pushed Back"
http://soundclick.com/rahscrilla

Or listen here:



N. Talekt

Monday, September 14, 2009

Kanye West Doesn't Care About Taylor Swift

Was just reading about both the Kanye West and Serena Williams situations and I'm just shaking my head, felt like weighing in. It's more of a monologue but feel free to comment...

Really, I don't even want to discuss right-or-wrong. Quite simply, and inarguably, Kanye West was wrong for what he did. It was immature and unprofessional; distasteful and unbecoming conduct of someone in his position. However, so was his ever-so-acclaimed statement that "George Bush doesn't care about Black people."

My issue is, why are people so shocked and appalled now? It seems legions of people are (at least publicly) turning away from him and his music over it, even though this is the way he's been his entire career. He is who he is, and those are things that Kanye does, as we should have come to expect by now. Not saying it's something to accept, but it's expected.

The other part of the ordeal is that people are actually rejecting his public apology, saying it's unreliable and backhanded. After reading it, I disagree. Kanye understands he was wrong for what he did and is apologizing for it, but he's not apologizing for being who is his or for what he said. He meant what he said but apologizes for doing it in the wrong place and at the wrong time.

Bottom line: let Kanye be Kanye. If you rock with him, rock with him; if you don't, don't. But I just find it crazy that people are letting this be the defining moment where they force Kanye to walk the plank.

I guess I'll also comment on Serena while I'm at it. Clearly, she lost her temper. But the official know how emotionally invested atheletes of her caliber playing at this level can get, and the least the official could have done was admonish her with a verbal warning, try to calm her, something. No person wants a tournament to end in a default decision. I just think Serena letting her emotion get the best of her was unfortunate and unprofessional, but at the same time, the official should have understood the situation and not have essentially completely disqualified her. A clear example of the old addage that "two wrongs don't make a right."

N. Talekt


Links:
- Article on the Kanye West Situation
- Serena Williams Loses It