Awesome, awesome, awesome.
Every week's track selection seems to be getting better and better, which makes it both fun and tough to choose a top 5. That said, I think this week's top 3 could certainly be #1 contenders on any other week, but this week they're competing with each other, and only one can take the top spot. So, the criticism has to be a little tougher to decide who that is.
That said, this week came down to both execution and, most importantly, creativity & originality. For execution, it's a matter of it's not just what you say, but how you say it. A commanding presence and delivery is a must for your song to really get over. Secondly, how creative was your song? Have I heard this tune before? Is it fresh and new, either in terms of lyrics or concept? That goes a long way in terms of both enjoyment and also that critical category of replay value. That leads me to the top 5...
Jane G33 - Little Me, Big World
http://soundclick.com/share.cfm?id=10732925
Big Kannon - Karma Pt 1
http://soundclick.com/share.cfm?id=10700354
Xplicit - Life Ain't Easy
http://soundclick.com/share.cfm?id=10720430
Chayse Maclair - It's Alright, It's Okay
http://soundclick.com/share.cfm?id=10741103
Mr Showtime - I Think I Am (#1 W/ Yung Tek)
http://soundclick.com/share.cfm?id=10741457
Perfect timing, eh? Last week I predicted that it was just a matter of time before Jane G33 grabbed that #1 spot, and she wasted no time snatching it with "Little Me, Big World." While this track has small flaws that I'll get to in a bit, this song is the perfect example of what I discussed above. It's fresh, original, creative, and has great presentation, both with great lyrical delivery and presence and also a smooth, dynamic beat, with a hook that grows on you. All the stars align here to deliver a hot track that finally has that replay factor, whose elusiveness has been plaguing Jane G33 for the past few weeks. That stems from the concepts and originality, especially present in the second verse. Not having heard this before makes me want to listen again. There were a few slip-ups in terms of misaligned backups and mistimed (or missing) emphasis, but overall, an excellent, powerful listen that earned a hotly-contested #1 spot.
I'm going to say the same thing about Big Kannon that I said about Jane G33 last week -- it's only a matter of time before he grabs #1. Kannon raps to near perfection with "Karma Pt 1," telling a familiar tale of a girl being taken advantage of by a stud. The quality, rapping, energy, presence, execution is spectacular, and he makes great use of lyrics to tell his story. Storytelling like this should progress naturally both in its plot and in lyrical writing, and Kannon absolutely nails it. That said, the main thing lacking here is replay value. I've heard this story time and time again, so it's hard to me to play it a third or fourth time knowing exactly how it'll end. And because it's not a lyrical track, I only have the story to look forward to. And after peeling back the surface to reveal the meat and potatoes, it's simple got a "been there, done that" feeling that doesn't take advantage of the things that make these type of tracks really stand out. Comparing this to, say R. Kelly's "Trapped in the Closet" series, his stories were fresh and original, with twists and turns. That is the element missing from this otherwise outstanding track. I think there was an opportunity to do his when Kannon mentions that the girl has her "reasons" for not wanting to be involved with the guy. Maybe those reasons are more than because he's after one thing. Maybe she's sick? Maybe she's related?! Maybe she's involved with someone else close to him? Regardless, I think that was opportunity lost. Also, a small thing in terms of completeness, I think the way the track ended wasn't good in terms of a cliffhanger. Let the song end with just the sound of the tires skidding off, no beat fading out, no extra lyrics. Just let the tires skid away and end it there. Just a thought. Again, taking nothing away from the artists clear ability here to perform and command the mic, I would have just liked a more original story here OR some original elements to make this sew up the #1 spot. As is, it's excellent.
Newcomer Xplicit continues the storytelling theme of this week's top 5 with an interesting track "Life Ain't Easy." I was digging this track from the needle drop, and when the actual beat dropped Xplicit goes in. This is actually pretty well done lyrically, and with a fun beat keeping with the theme of a "fast-paced lifestyle," this song comes off as well done and complete. A bit of "it" factor comes into play here making this track enjoyable. Finally, I like how Xplicit keeps his concepts together, like fast-paced life and work, really tying together the song as a whole, a subtle but important aspect to writing. A few missteps here, though. I felt like there was a shaky confidence in the delivery, which slightly affected how this came out. Also, the backups were conflicting at times with the front verse, making it tough to hear some of this words, which really hurts a story. Looking past that, a fun track that got a few spins from me.
Chayse Maclair moves up a slot this week with "It's Alright, It's Okay," a fresh new track off his upcoming mixtape. I would say this song is more that just alright, and okay, it's good. However, while it strives to be an uplifting track, it just misses the mark. Beat selection works here with the song, in fact, I think it's excellent. It's a dynamic beat that grows as the song does, allowing the opportunity for the story to grow with the beat. That said, I felt Chayse missed the opportunity to turn his energy and emotion up when the beat climaxed at the end of verse 1. I heard a slight attempt, but just wasn't enough. The second thing that kept bothering me was the constant interruption of the backup vocals. They are supposed to be the backups, so make them back up! Turn them down or don't use them if they are hindering your song. Obviously, some of these can be overlooked, but it's too constant with this song to get past. Finally, the hook needs a jolt of energy and literal volume to make it really work. Overall, I dig the concept, the verses were good, especially verse two, but the execution and presentation here really hurt this song from being as good as it could have been. Still, thumbs up.
Wrapping up this week's top 5 is Mr. Showtime's return to the list, back alongside Yung Tek, with "I Think I Am (#1)." This almost grabbed the #4 slot, but in the end, Chayse won me over with his creativity and lyricism. To put that into perspective against this song, this is indeed one of those song you've heard before. Still, it's very well done from both a quality & lyrical perspective. It's comparable to the #2 song in that aspect. Oddly enough, it's also comparable to the #3 song in terms of it switching the beat in the beginning. Just one of those odd things that you rarely see happen, so funny that it happens twice here. That aside, Showtime really goes in and demands your attention from the jump. Yung Tek finishes off the verse, but I was slightly disappointed with the verses. Not bad, but I've heard better from him. The hook works. Sticks in your head, but the lyricist in me doesn't like the "shine like the sun" line. Still flow and execution here over a great beat make this a fun song and well-deserving of a top 5 spot.
Great work by everyone this week. I have to applaud all the entrants this week for bringing some fantastic songs. I really have nothing to say after that, so I'll let the music speak for itself. See you back here next week!
N. Talekt
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