Featured On: PrefixMag.com
Saturday, October 24, 2009
Song Review: Rihanna - Russian Roulette
Featured On: PrefixMag.com
Thursday, October 8, 2009
New Release: Rah Scrilla - "Pushed Back"
My partner in rhyme, Rah Scrilla, has released his latest project, aptly titled "Pushed Back." After a bit of a hiatus, he's back in the booth and is looking to become a steady force. Keep an eye on him in the fourth quarter, and check out his mixtape, "Pushed Back!"
Rah Scrilla - "Pushed Back"
http://soundclick.com/rahscrilla
Or listen here:
N. Talekt
Monday, September 14, 2009
Kanye West Doesn't Care About Taylor Swift
Really, I don't even want to discuss right-or-wrong. Quite simply, and inarguably, Kanye West was wrong for what he did. It was immature and unprofessional; distasteful and unbecoming conduct of someone in his position. However, so was his ever-so-acclaimed statement that "George Bush doesn't care about Black people."
My issue is, why are people so shocked and appalled now? It seems legions of people are (at least publicly) turning away from him and his music over it, even though this is the way he's been his entire career. He is who he is, and those are things that Kanye does, as we should have come to expect by now. Not saying it's something to accept, but it's expected.
The other part of the ordeal is that people are actually rejecting his public apology, saying it's unreliable and backhanded. After reading it, I disagree. Kanye understands he was wrong for what he did and is apologizing for it, but he's not apologizing for being who is his or for what he said. He meant what he said but apologizes for doing it in the wrong place and at the wrong time.
Bottom line: let Kanye be Kanye. If you rock with him, rock with him; if you don't, don't. But I just find it crazy that people are letting this be the defining moment where they force Kanye to walk the plank.
I guess I'll also comment on Serena while I'm at it. Clearly, she lost her temper. But the official know how emotionally invested atheletes of her caliber playing at this level can get, and the least the official could have done was admonish her with a verbal warning, try to calm her, something. No person wants a tournament to end in a default decision. I just think Serena letting her emotion get the best of her was unfortunate and unprofessional, but at the same time, the official should have understood the situation and not have essentially completely disqualified her. A clear example of the old addage that "two wrongs don't make a right."
N. Talekt
Links:
- Article on the Kanye West Situation
- Serena Williams Loses It
Saturday, August 22, 2009
Apology Unnecessary
So, as you probably heard by now, an apology has been formally issued for slavery and all its injustices. While I understand what they are trying to accomplish, that's one of the dumbest things I've ever heard.
While I could rant about my stance on the matter, I think most of my thoughts have been summed up quite nicely in an article I found written by Katrina Browne (a White woman, which will be apparent as you read my snippets):
http://www.cnn.com/2009/POLITICS/08/19/browne.slavery/index.html
A particular point that stood out to me:
I think the last paragraph of that drives home exactly why I think the apology is useless. "I'm sorry" is not going to bring better schools to poor neighborhoods. "I'm sorry" is not going to give me access to those "certain" jobs that seem to continue to be dominated by the same group. "I'm sorry" is not going undo the labeling and stereotypes derived from racism that cause men to empty 59 shots into a man lying on the ground."It now feels really natural to want to express regret -- not an apology (that's for institutions; Congress was right to step forward) but deep regret and sadness about what happened, fellow citizen to fellow citizen. I try to imagine what it would be like if we went so far as to extend tenderness toward each other. We could actually all use more of it when we're talking about race, racism and anything to do with slavery.
"Instead, we are full of protestations, distrust, dismissiveness, resentments. For those of us who are white, what's the resistance really about? It may be, at core, that we don't want to feel guilty or blamed or responsible for the outrage of slavery. I didn't.
"But here's the funny thing: While we white Americans are busy establishing our innocence, it turns out that many black Americans are not personally angry at us for slavery. Many do want authentic acknowledgement of what happened, but not for the sake of guilt-tripping. I've witnessed a generosity of spirit that I have been humbled by.
"Meanwhile, many African-Americans are upset about the disparate outcomes that persist and want to see everyone step up to address them. There are so many lingering "structural inequalities," as President Obama put it -- ones without clear racist villains but that are embedded, like the fact that schools are funded with property taxes, so poor black neighborhoods, the legacy of earlier eras of discrimination, are not able to fund the quality schools that we say all our children deserve."
I understand the motives of the apology, I just think it was a waste of time and effort. We all know it was wrong, and understand that the lines of communication need to be opened. However, time and effort is better spent addressing the effects of slavery today instead of apologizing for yesterday.
My feeling is that I was never enslaved, so I can not even begin to attest to knowing what it was like to be in that position, and doing so would be ignorant and disrespectful. But I do know that my life has been heavily influenced by my ancestors and my position in society has been shaped largely by that same history.
To close, I want to note that I am not blind to the progress being made. Barack Obama is indeed the Jackie Robinson of this era. However, I look to the position of the common Joe and feel there is much more to be attained.
Much more than which an apology will suffice.
NT
Monday, July 6, 2009
Happy 24th Birthday!
Then I realize that was years ago, and on the heels of 24, 25 on the horizon, wondering where exactly all my time went.
Ok, so I'm not as elderly as I feel sometimes, but while the birthday has been cause for celebration, there's so many goals I've had that have so far gone unattained. And I wish I had more hours in the day to do them, but I also look back and realize just how much time I've wasted, and how many opportunities I've squandered.
This year, though, I will try not to look at it as another year gone; rather, another year given. I feel that now, more than ever, I'm seeing clearly, the valleys and peaks that are trials and tribulation have been, at least for now, replaced with the plains of clarity, leaving a void aptly named Space and Opportunity.
A void that I'll gladly fill.
I'll end with a classic Established Dons track ... it does scare me to think this was over 6 years ago, but it certainly endured the test of time.
Happy Birthday to all my July 6 born!
NT
Thursday, June 25, 2009
Say Goodbye to the Bad Guy
Thursday, June 18, 2009
The Rhythm of the Music
Tuesday, February 3, 2009
So Cold Now Available!
So Cold is now available! If you are a member of BustMyRhyme.com, you can download it and an exclusive bonus track from http://ntalekt.bustmyrhyme.com. You can also download it at http://www.soundclick.com/NTalektSoCold.
I've got player below, but you can download it all for yourself at either site mentioned. The download includes full artwork, lyrics, and more!
Enjoy, and thank you for your support!
N. Talekt
Monday, February 2, 2009
Song Review: N. Talekt - Diamond
So I cheated. I guess since my review list takes quite a while to complete, some of the people near the end might have many of their pieces reviewed by others before I jump in. By this time when I am getting to review N.Talekt, I have seen other reviews of ‘Diamond’. No matter, I hope I give my own perspective in reviewing where I get as close to the artist as the artist is willing to get close to the listener.
There is always a question for a creator about how much you want to put yourself out there for all to see. Letting it all out can be cathartic (cleansing). There are others that might think opening up, literally exposing your guts, can make you vulnerable especially in the fairly hard mindset of Hip Hop music. And let’s face it, if you expose yourself and get feedback that is dismissive or even cold, you are being injured as deeply as you can be because you don’t have a protective shell up. An artist can choose to not deal with personal subjects or to mask the message in mystery lyrics.
N Talekt takes the open approach and I hope this has helped him with his life. I think this is a good choice for him because he writes well … I say, really well. The mark of a good writer, and I have to say particularly in Hip Hop, is someone who uses words for the meaning they convey and not as mere filler or the way to complete a rhyme. I listen to N Talekt’s story in this song and I find I have to hear every word because nothing is a throwaway. He is a talented writer which is borne out by most of the songs on his page.
Genre in Soundclick and the world again steps in to confuse musical selection rather than to help. When you think of Hip Hop, you come down normally with a narrow view of what can be done and how it is done. You expect a driving beat, hooky hooks, fire-paced spitting, and generally posturing and bragging. So much of Hip Hop fills that definition that I feel the great writing and performing is exactly as the opening of this song suggests. The diamonds are hidden in the dirt. ‘The diamond in the dirt that ain’t been found.’
N Talekt seems to keep the throttle pulled back, don’t expect to be carried along by the percussive drive at breakneck speed. This is a good thing because this gives you a chance to hear what he is saying. No lyrics provided, but I find everything pretty clean and clear. The song is about some hard details of life that literally stopped N Talekt from producing his music. I find it hard to imagine cutting off the outlet that usually gives meaning to your life when you most need it. Yet, the same thing happened to me …loss can be like a blow to the chest that stuns you and stops the breathing process. In the true depression that can follow loss, the things that seemed so meaningful can seem frivolous or meaningless. Hopefully time provides healing and you can come back to address what has happened after a quiet period of introspection. I think N Talekt has done this. This is a great thing because now he has something with which to touch us all because the message is universal.
Even if he had not done such a good job of producing and creating this piece, it would have been worth hearing. Happily it is also well done and catches you by the throat if you are willing to be as vulnerable as the artist. For myself and for N Talekt, I will say not to be troubled because these loved ones are with you … I don’t mean just in memory… they are with you and you know it.
The opening has a technique that I am not sure is successful if I interpret it correctly. The song begins with the statement of the hook, which is just fine, but behind it there is some delivery with a telephone filter. It is actually the first lines of the lyric, which are then repeated at full dynamics:
Ask me how I’m doin if I’m breathing then I can’t complain
It’s difficult to get a leg up when you’ve got an ankle sprain.
This is just a minor thing. The technique is called ‘the zoom’ … you start with something distant to get someone listening closely and when they are leaning forward, you shift to full volume, dynamics, etc… It makes the ‘zoom in’ to full dynamics so much more dynamic. Hmmm… my problem with this example is that the hook is interfering with comprehension of those telephonic lines. It would have been better to bring down the hook or wait until it ended to just have the lines by themselves. This is really minor, but then again I do get to mention a technique that almost any producer can use.
What else, well nothing then, because there is nothing wrong here and much is very good. No lyrics, but I don’t need them. I love to see lyrics as a reviewer, but lets face it … if a general listener needs a lyric sheet, then you have a problem with your mix. So thanks to N Telekt for understanding that listeners want to understand what is being said especially in Hip Hop.
I don’t know who is responsible for the backing track, but it really suits the feel of this song well. The drums establish a strict beat but have a swing in the kick that is somber. The music has a soulful reserve that supports the serious theme.
The mix is balanced pretty much as well as you could want. Every element is in place, the effects are tasteful and no element steps out of the mix.
Music
Hip Hop is usually backing and verbiage. I get into N Telekt’ delivery immediately. He delivers some switched up wordage that could sound squeezed in if he slipped up, but he does not take a single misstep. There is a laidback feel to the song but the words come fast. Despite this pace, N Telekt gets real emotion into his delivery. Not the normal anger associated with Hip Hop, but a sense of real pain being brought to the surface.
The music in the backing is reserved, soulful, and even funeral in pace and feel.
Content
The notes on the song state that this piece explains a hiatus that N Telekt has taken from producing his music. I have already discussed the effect of personal tragedy on the music that can often help us deal with the blows of life and how some blows are stunning.
Just to state it starkly and out in the open, this is purely well written. It is not hype or flash, but just writing that deserves and rewards with attention to the meaning.
There are two points woven into this song. The first is about Hip Hop and the competition aspect of it all. It basically comes down to saying this competition makes Hip Hop look like a game lacking any serious purpose. N Telekt feels that this form of music should deal with the depth of life rather than shallow bragging rights and one-upmanship. The final lines can be misleading if you don’t think about what they are saying:
The last thing I worried about
Is impressin’ y’all
True kings don’t demand respect
You respect the don.
This sounds like normal bragging rights Hip Hop chatter, but the meaning is almost elusive. N Talekt is saying he does not care about impressing his listeners because there are other more important things on his mind. This is a direct slap to all Hip Hop types concerned with the big flash sound without content. Secondly he is stating that if you have to ask for or demand respect, then you don’t deserve it. It is more a matter of getting respect for what you are … respect that is given freely having been earned.
Just as I realized when my music returned that I was on the road to my recovery, I sincerely hope this is the same sign for N Telekt.
Wednesday, January 28, 2009
Official So Cold Tracklist
- Intro
- Award Tour
- Stay a While
- Talk It Over
- So Cold
- Diamond
- To the Sky
- Gave My All
- Keep Dreaming
- I'm Back (Bonus)
Tuesday, January 27, 2009
Song Review: Eileen M. - Empty Apologies
Monday, January 26, 2009
Update: So Cold Tracklist Tomorrow!
Interview: So Cold Pt 4
OR
http://soundclick.com/share?songid=7277021
N. Talekt
Wednesday, January 21, 2009
Announcement: So Cold Merchandise!
Tuesday, January 20, 2009
Egoism in Hip-Hop
Official Release Date Announced!
Just a quick notice, if you haven't heard already! :)
Monday, January 19, 2009
Interview: So Cold Pt 3
OR
http://soundclick.com/share?songid=7254485
N. Talekt
Thursday, January 15, 2009
New Release: "Gave My All"
Anyway, "Gave My All" is one of my favorites from So Cold. It's a fresh track about efforts wasted in holding on to a relationship that was not meant to be clutched so tightly. I guess wasted isn't the best word choice, maybe futile efforts is better. Anyway, it's an interesting track because it's on a high-energy track with Latin influence, but it meshes effortlessly with the song content and they combine to make a really interesting track and a nice story.
I'll warn you now, it's not a short song, but it's worth the listen. As of this writing this is the only song I've completed for So Cold that features another artist (though there are some in the making). DK of the Richmond-based group "Velvet" helps me out here on the hook and bridge, and sews up what its a great musical effort. He's got a great vocal range from falsetto to bass and all in between. Look for more from him sooner than later.
But as always, don't just take my word for it ... have a listen!
OR
http://soundclick.com/share?songid=7240648
N. Talekt
Above Average
See, the thing with me is, I record music that I feel like will either connect or I think people will be interested to hear. But for every song you hear from me there's so many more that'll never leave my rhyme book. Music, to me, is more of a passion than a pasttime. It's powerful, provocative, inspirational -- there's so much that music has the power to do. The music in my rhyme books typically act as a personal outlet -- either for creative purposes or theraputic healing. The music I record tends to be music I think will be inspirational, moving, or interesting to others. So Cold is actually the first body of work I've recorded where I didn't really care about an audience per se', but rather, I recorded the type of music that I tend to keep to myself or in my close circle.
But I digress. In regard to the original question, and I talked about this in the recent interview I did, I feel like I approach music in a different way than most people. I'm at the point where I'm confident in my ability to write and record good music, and now I'm trying to actually go to the next level. I want to be on that "classic" level -- not classic like Nas or 'Pac, I mean classic like Michael Jackson or Luther Vandross. It's kind of like the gripe Kanye had recently with winning "Best Album of the Year" versus winning "Best Rap Album of the Year."
There's a fair number of people who are not traditional hip hop fans who enjoy my music because they can relate to it or they can appreciate it, and I feel like my music is getting to the point that it can be appreciated as more than a good "hip hop" song, but rather, a good song. I definitely do not want to stray from the hip hop genre, but I'd like it to be appreciated on a broader scale, without losing my roots.
I have a ways to go before I get to where I'd like to be but I listen to the music I'm making today and the reception I get today versus my older work and there's a clear difference, and that's where I want to be. Not that I can't appreciate my old work, but I feel like time has only made me better.
So how is N. Talekt above average? Well, maybe I'm not -- music is subjective, I won't be in everyone's top 10 :). But I think there are things that make me stand out as an artists. I put a lot of effort and detail into how I write my lyrics -- yes, I still write them -- while musically exploring various types of beats, rhythms, and tactics. My latest release, "Gave My All," is a perfect example. I recorded this on a high-energy, non-hip-hop beat, but I'm amazed at how well the song content (a relationship lost despite my efforts but learning to let go). It brings emphasis on the fact that, while there is an upbeat tempo, the despair is still felt and the instruments actually work.
I don't think it's especially hard for other artists to begin to separate themselves from the masses either, I think it takes first, making music through personal experience, as no one on this earth has lived the life you're living. Second, be comfortable with yourself and confident enough to look at yourself and your music objectively. As I said on "Can I Get Signed?," "only a true artist can paint a self-portrait." Finally, once you're able to do that, dare to venture out of your comfort zone. Find your niche, then expand. Learn. Grow. Don't accept mediocrity, don't be content with complacency. That growth will help you connect with larger audiences, and you'll then reach the tip of the iceburg in regard to wielding the power of music.
N. Talekt
Monday, January 12, 2009
Interview: So Cold Pt 2
OR
http://soundclick.com/share?songid=7231532
N. Talekt
Tuesday, January 6, 2009
Interview: So Cold Pt 1
OR
http://soundclick.com/share?songid=7213949
Monday, January 5, 2009
So Cold Details
Speaking of which, I've finally settled on one -- February 3, 2009!
Either later today or tomorrow I'll post the first of a few interview snippets that I have discussing So Cold.
Stay tuned, it's gonna be a cold winter ...
N. Talekt
Friday, January 2, 2009
The Art of Mixing
For me, mixing is quite a tedious process as I don't have any professional training in it, so I'm pretty much playing it by ear. I have an idea of the basic do's and don'ts, but I'm not familiar with the terminology nor all the tools that Cool Edit Pro + plugins have provided me.
I just know what sounds good.
I think there's certainly an art to mixing a track -- knowing where to emphasize vocals, adding space, panning, and reverb appropriately, outside effects, and the like adds so much value to the song. I've learned a lot through trial and error, having mixed pretty much every track I've recorded since (and including) the "Can I Get Signed?" CD was released ... and I did that one twice!
It's no secret -- I'm a fan of reverb. I think the extra dimension it adds makes things a bit more profound, and many beats these days have reverb on the instruments so adding it to the vocals in certain places helps the song fit together better.
Panning is a newly-discovered friend of mine. When there's a lot going on in the center of a track, moving some vocals to the left or right just seems to make things fit better in that section of the song. Additionally, when you're working with multiple artists (or multiple voices), it's a nice way to help have everything heard as well.
All in all, I think a good mix job is important to actually completing your track. You can't just lay your vocals down, export to MP3, and think it's all good. Having listened to a lot of underground music today, I think that aspect of music has been forgotten and should be focused on a bit more to create more complete and impressive tracks. For me, it's interesting to figure out where vocals should be emphasized, where an effect should be placed, and also allowing the beat to come into play a bit more as well. It's tedious, it's tiring, but it's also what can make or break a song.
Hopefully, I'll continue to get better at this and have some quality mixes come "So Cold."
N. Talekt
Thursday, January 1, 2009
New Release: "Keep Dreaming"
I'm hoping to do the same, kicking things off with a bunch of new material! Heading up the blitz is my latest release, "Keep Dreaming."
This is a more high-energy track than "Diamond" which highlights different perspectives of those involved in some of the trials I've been wading through lately, and presenting the bridge over these troubled waters. While it's certainly a different style of song than "Diamond," it's one of my favorites on the mixtape because it's not the typical type of track I perform and I enjoyed exploring that style. Once again, kudos to VybeBeatz on the production.
Yeah, it's hot. But don't just take my word for it: have a listen!
OR
http://soundclick.com/share?songid=7199443
More to come soon ... it's gonna be a cold winter ...
N. Talekt