Saturday, October 24, 2009

Song Review: Rihanna - Russian Roulette

Review: Rihanna's Russian Roulette

Featured On: PrefixMag.com

Alright, first things first; let me get this out the way because, quite frankly, I'm tired of hearing it...

Yes, the song is dark.

There. Take that in. I refuse to turn this blog into a rant (maybe later!) but I will say that just because a song has a dark or somber tone does not automatically disqualify it from being enjoyable. There's a time and place for everything, that included. Now if this was a summertime single, I could be more receptive to the complaints but it's wintertime, it's cold outside. Bring on the darkness!

Then again, this is the opinion of a guy who's last CD was entitled "So Cold" so take that with a grain of salt...

Now regarding the song, it's hot. It's fresh. And I think that combination really sews up my anticipation for her album, Rated R. Rihanna has consistently kept herself in my CD deck (er, iTunes library, this is 2009) because she continually puts out fresh music with interesting angles. The content is such that many can relate to and comprehend, but she and her team approach her work from unique angles which makes her songs interesting to say the least.

Russian Roulette is no different. A slight glimpse between the lines of this song will give you a pretty clear view of the underlying message (which I will leave for the avid reader to interpret for themselves), but the angle she approaches dressing that message with this sort of theme is fantastic.

The technique is also nearly perfect. Light piano keys complement the strong bass drums cleverly mimicking a heartbeat. Familiar cymbals add exclamation points to a very strong chorus of orchestral instruments that bolsters, but doesn't overtake, Rihanna's strong performance. The final icing on the cake here is the deep chilling breaths that Rihanna takes at the beginning and end of the song, signing, sealing, and delivering an impressive front-running effort for her upcoming album.

Of course, with all the reviews I post here, I advise you to give the song a listen and form your own opinion. But it's certainly worth the play. Enjoy!








N. Talekt

(Update: YouTube link died, found a live link.)

Thursday, October 8, 2009

New Release: Rah Scrilla - "Pushed Back"

Yes, y'all, Established Dons are at it again!

My partner in rhyme, Rah Scrilla, has released his latest project, aptly titled "Pushed Back." After a bit of a hiatus, he's back in the booth and is looking to become a steady force. Keep an eye on him in the fourth quarter, and check out his mixtape, "Pushed Back!"

Rah Scrilla - "Pushed Back"
http://soundclick.com/rahscrilla

Or listen here:



N. Talekt

Monday, September 14, 2009

Kanye West Doesn't Care About Taylor Swift

Was just reading about both the Kanye West and Serena Williams situations and I'm just shaking my head, felt like weighing in. It's more of a monologue but feel free to comment...

Really, I don't even want to discuss right-or-wrong. Quite simply, and inarguably, Kanye West was wrong for what he did. It was immature and unprofessional; distasteful and unbecoming conduct of someone in his position. However, so was his ever-so-acclaimed statement that "George Bush doesn't care about Black people."

My issue is, why are people so shocked and appalled now? It seems legions of people are (at least publicly) turning away from him and his music over it, even though this is the way he's been his entire career. He is who he is, and those are things that Kanye does, as we should have come to expect by now. Not saying it's something to accept, but it's expected.

The other part of the ordeal is that people are actually rejecting his public apology, saying it's unreliable and backhanded. After reading it, I disagree. Kanye understands he was wrong for what he did and is apologizing for it, but he's not apologizing for being who is his or for what he said. He meant what he said but apologizes for doing it in the wrong place and at the wrong time.

Bottom line: let Kanye be Kanye. If you rock with him, rock with him; if you don't, don't. But I just find it crazy that people are letting this be the defining moment where they force Kanye to walk the plank.

I guess I'll also comment on Serena while I'm at it. Clearly, she lost her temper. But the official know how emotionally invested atheletes of her caliber playing at this level can get, and the least the official could have done was admonish her with a verbal warning, try to calm her, something. No person wants a tournament to end in a default decision. I just think Serena letting her emotion get the best of her was unfortunate and unprofessional, but at the same time, the official should have understood the situation and not have essentially completely disqualified her. A clear example of the old addage that "two wrongs don't make a right."

N. Talekt


Links:
- Article on the Kanye West Situation
- Serena Williams Loses It

Saturday, August 22, 2009

Apology Unnecessary

This is somewhat unrelated to music, but it hits home personally and if you know my music, you know how closely my personal life can get woven into it...

So, as you probably heard by now, an apology has been formally issued for slavery and all its injustices. While I understand what they are trying to accomplish, that's one of the dumbest things I've ever heard.

While I could rant about my stance on the matter, I think most of my thoughts have been summed up quite nicely in an article I found written by Katrina Browne (a White woman, which will be apparent as you read my snippets):

http://www.cnn.com/2009/POLITICS/08/19/browne.slavery/index.html

A particular point that stood out to me:

"It now feels really natural to want to express regret -- not an apology (that's for institutions; Congress was right to step forward) but deep regret and sadness about what happened, fellow citizen to fellow citizen. I try to imagine what it would be like if we went so far as to extend tenderness toward each other. We could actually all use more of it when we're talking about race, racism and anything to do with slavery.

"Instead, we are full of protestations, distrust, dismissiveness, resentments. For those of us who are white, what's the resistance really about? It may be, at core, that we don't want to feel guilty or blamed or responsible for the outrage of slavery. I didn't.

"But here's the funny thing: While we white Americans are busy establishing our innocence, it turns out that many black Americans are not personally angry at us for slavery. Many do want authentic acknowledgement of what happened, but not for the sake of guilt-tripping. I've witnessed a generosity of spirit that I have been humbled by.

"Meanwhile, many African-Americans are upset about the disparate outcomes that persist and want to see everyone step up to address them. There are so many lingering "structural inequalities," as President Obama put it -- ones without clear racist villains but that are embedded, like the fact that schools are funded with property taxes, so poor black neighborhoods, the legacy of earlier eras of discrimination, are not able to fund the quality schools that we say all our children deserve."

I think the last paragraph of that drives home exactly why I think the apology is useless. "I'm sorry" is not going to bring better schools to poor neighborhoods. "I'm sorry" is not going to give me access to those "certain" jobs that seem to continue to be dominated by the same group. "I'm sorry" is not going undo the labeling and stereotypes derived from racism that cause men to empty 59 shots into a man lying on the ground.

I understand the motives of the apology, I just think it was a waste of time and effort. We all know it was wrong, and understand that the lines of communication need to be opened. However, time and effort is better spent addressing the effects of slavery today instead of apologizing for yesterday.

My feeling is that I was never enslaved, so I can not even begin to attest to knowing what it was like to be in that position, and doing so would be ignorant and disrespectful. But I do know that my life has been heavily influenced by my ancestors and my position in society has been shaped largely by that same history.

To close, I want to note that I am not blind to the progress being made. Barack Obama is indeed the Jackie Robinson of this era. However, I look to the position of the common Joe and feel there is much more to be attained.

Much more than which an apology will suffice.

NT

Monday, July 6, 2009

Happy 24th Birthday!

Feels like only yesterday I was living the college student life, wondering why time moved so slowly, with my only concern being what time would I walk to the cafeteria and why hadn't that girl called me back yet.

Then I realize that was years ago, and on the heels of 24, 25 on the horizon, wondering where exactly all my time went.

Ok, so I'm not as elderly as I feel sometimes, but while the birthday has been cause for celebration, there's so many goals I've had that have so far gone unattained. And I wish I had more hours in the day to do them, but I also look back and realize just how much time I've wasted, and how many opportunities I've squandered.

This year, though, I will try not to look at it as another year gone; rather, another year given. I feel that now, more than ever, I'm seeing clearly, the valleys and peaks that are trials and tribulation have been, at least for now, replaced with the plains of clarity, leaving a void aptly named Space and Opportunity.

A void that I'll gladly fill.

I'll end with a classic Established Dons track ... it does scare me to think this was over 6 years ago, but it certainly endured the test of time.

Happy Birthday to all my July 6 born!

NT
















Thursday, June 25, 2009

Say Goodbye to the Bad Guy

Where were you when you heard Michael Jackson died?

"Floored" only faintly describes how I felt when I learned about the death of the undisputed King of Pop. The wave of shock sent among the country today was phenomenal, with a gravity that I don't think even the death of the Pope or our beloved Barack Obama could even potentially match.

You get the feeling that you lost a close friend, or even a family member. Speaking for myself, I grew up listening to "Thriller," "Bad," and "Dangerous," three of the most acclaimed music aggregations ever. Ever. In fact, I remember getting a new cassette player either for my birthday or Christmas, and the first tape I put in there was "Dangerous." Later on, I went back to the past to hear more of what he had to offer and, like a fine wine, it only got better with time.

I will admit, after "Dangerous," I did not listen to much of Jackson's work. I haven't even seen the entire Jackson 5 movie in one sitting yet ... though I can guarantee I've seen all of it in pieces. I'm sure that will be changed at some point soon. However, I think the reason his death was so staggaring is because Michael defined our generation as much or more than Elvis defined his. Not just his music, but his flamboyant and extravagant lifestyle bewildered and inspired much of what you see today.

Now yeah, I'mma say it -- whether or not Michael actually touched those kids is up in the air, right up there will whether R. Kelly peed on that girl. But Michael did touch millions of lives across the world. The proof in that is simply his record-breaking sell-out concerts he had lined up across Europe. Michael could have never made another song and still sold out any arena in the world. His music and talents were universal and unmatched.

The thing I will remember about him was his unique in every sense of the word. Yes, I know the moonwalk wasn't all his, but give him credit for perfection and popularization. His other trademarks -- the hats, the glove, the nut-clutch, and the "Hee-hee!" are still and will continue to be timeless memories of the one and only. His music was the definition of classic. Timeless hits like "Thriller" make Michael the quintessential example of a true musical artist.

However, all good things must come to an end. After 50 years on this Earth, Michael Jackson leaves us with what few artist will ever bestow, yet so many aspire and fail to do -- many classic hits, timeless memories, and gossip to last for years. A controversial figure, Michael will not be forgotten. He paved his own lane in music and will forever be known as the King of Pop.

No matter how you feel about him personally, his contributions to the music industry can not be denied, and his imprint on our generated has been solified. He made Thriller, y'all...

Thriller.

Condolences to his loved ones, may he rest in peace. Thank you.

- N. Talekt

Steve Harvey on Michael Jackson:

My Top 5 Favorites:



3) Billie Jean:

2) Remember the Time:


Close Runner-Ups:

Black or White:

Dirty Diana:

Hear More:

Go out and support good music.

Thursday, June 18, 2009

The Rhythm of the Music

So, I think I've finally figured out why I find music so healing.

My theory is that it's one of the only things that brings some sort or rhythm to my otherwise rhythmless and unpredictable life.

It's been a while since I've been able to sit down and write a blog which almost makes me want to get a Twitter account, as I can handle quickie updates a bit more easily. I haven't been sitting idly, far from it, but I'm hoping to find some time soon to get back behind the mic.

Just wanted to come on here and say that life can certainly deal you some cards you don't expect, you've just gotta play 'em out.

Be back soon, keep music alive.

N. Talekt

Tuesday, February 3, 2009

So Cold Now Available!

Good day!

So Cold is now available! If you are a member of BustMyRhyme.com, you can download it and an exclusive bonus track from http://ntalekt.bustmyrhyme.com. You can also download it at http://www.soundclick.com/NTalektSoCold.

I've got player below, but you can download it all for yourself at either site mentioned. The download includes full artwork, lyrics, and more!

Enjoy, and thank you for your support!



N. Talekt

Monday, February 2, 2009

Song Review: N. Talekt - Diamond

So, here's a twist.  I've been receiving some pretty favorable reviews for the "Diamond" track from So Cold (which releases tomorrow!) but a recent one just really hit home for me.  I don't want to belittle any of the other reviews I've received over the past couple months, as I appreciate them all, but I felt like this reviewer definitely saw what I was trying to accomplish and was able to give an in-depth review because he so thoroughly understood the song.

_______________

Larry Ludwick's Reviews: "Diamond":

Summary Opinion

So I cheated. I guess since my review list takes quite a while to complete, some of the people near the end might have many of their pieces reviewed by others before I jump in. By this time when I am getting to review N.Talekt, I have seen other reviews of ‘Diamond’. No matter, I hope I give my own perspective in reviewing where I get as close to the artist as the artist is willing to get close to the listener.

There is always a question for a creator about how much you want to put yourself out there for all to see. Letting it all out can be cathartic (cleansing). There are others that might think opening up, literally exposing your guts, can make you vulnerable especially in the fairly hard mindset of Hip Hop music. And let’s face it, if you expose yourself and get feedback that is dismissive or even cold, you are being injured as deeply as you can be because you don’t have a protective shell up. An artist can choose to not deal with personal subjects or to mask the message in mystery lyrics.

N Talekt takes the open approach and I hope this has helped him with his life. I think this is a good choice for him because he writes well … I say, really well. The mark of a good writer, and I have to say particularly in Hip Hop, is someone who uses words for the meaning they convey and not as mere filler or the way to complete a rhyme. I listen to N Talekt’s story in this song and I find I have to hear every word because nothing is a throwaway. He is a talented writer which is borne out by most of the songs on his page.

Genre in Soundclick and the world again steps in to confuse musical selection rather than to help. When you think of Hip Hop, you come down normally with a narrow view of what can be done and how it is done. You expect a driving beat, hooky hooks, fire-paced spitting, and generally posturing and bragging. So much of Hip Hop fills that definition that I feel the great writing and performing is exactly as the opening of this song suggests. The diamonds are hidden in the dirt. ‘The diamond in the dirt that ain’t been found.’

N Talekt seems to keep the throttle pulled back, don’t expect to be carried along by the percussive drive at breakneck speed. This is a good thing because this gives you a chance to hear what he is saying. No lyrics provided, but I find everything pretty clean and clear. The song is about some hard details of life that literally stopped N Talekt from producing his music. I find it hard to imagine cutting off the outlet that usually gives meaning to your life when you most need it. Yet, the same thing happened to me …loss can be like a blow to the chest that stuns you and stops the breathing process. In the true depression that can follow loss, the things that seemed so meaningful can seem frivolous or meaningless. Hopefully time provides healing and you can come back to address what has happened after a quiet period of introspection. I think N Talekt has done this. This is a great thing because now he has something with which to touch us all because the message is universal.

Even if he had not done such a good job of producing and creating this piece, it would have been worth hearing. Happily it is also well done and catches you by the throat if you are willing to be as vulnerable as the artist. For myself and for N Talekt, I will say not to be troubled because these loved ones are with you … I don’t mean just in memory… they are with you and you know it.

Production

The opening has a technique that I am not sure is successful if I interpret it correctly. The song begins with the statement of the hook, which is just fine, but behind it there is some delivery with a telephone filter. It is actually the first lines of the lyric, which are then repeated at full dynamics:

Ask me how I’m doin if I’m breathing then I can’t complain
It’s difficult to get a leg up when you’ve got an ankle sprain.


This is just a minor thing. The technique is called ‘the zoom’ … you start with something distant to get someone listening closely and when they are leaning forward, you shift to full volume, dynamics, etc… It makes the ‘zoom in’ to full dynamics so much more dynamic. Hmmm… my problem with this example is that the hook is interfering with comprehension of those telephonic lines. It would have been better to bring down the hook or wait until it ended to just have the lines by themselves. This is really minor, but then again I do get to mention a technique that almost any producer can use.

What else, well nothing then, because there is nothing wrong here and much is very good. No lyrics, but I don’t need them. I love to see lyrics as a reviewer, but lets face it … if a general listener needs a lyric sheet, then you have a problem with your mix. So thanks to N Telekt for understanding that listeners want to understand what is being said especially in Hip Hop.

I don’t know who is responsible for the backing track, but it really suits the feel of this song well. The drums establish a strict beat but have a swing in the kick that is somber. The music has a soulful reserve that supports the serious theme.

The mix is balanced pretty much as well as you could want. Every element is in place, the effects are tasteful and no element steps out of the mix.


Music

Hip Hop is usually backing and verbiage. I get into N Telekt’ delivery immediately. He delivers some switched up wordage that could sound squeezed in if he slipped up, but he does not take a single misstep. There is a laidback feel to the song but the words come fast. Despite this pace, N Telekt gets real emotion into his delivery. Not the normal anger associated with Hip Hop, but a sense of real pain being brought to the surface.

The music in the backing is reserved, soulful, and even funeral in pace and feel.

Content

The notes on the song state that this piece explains a hiatus that N Telekt has taken from producing his music. I have already discussed the effect of personal tragedy on the music that can often help us deal with the blows of life and how some blows are stunning.

Just to state it starkly and out in the open, this is purely well written. It is not hype or flash, but just writing that deserves and rewards with attention to the meaning.

There are two points woven into this song. The first is about Hip Hop and the competition aspect of it all. It basically comes down to saying this competition makes Hip Hop look like a game lacking any serious purpose. N Telekt feels that this form of music should deal with the depth of life rather than shallow bragging rights and one-upmanship. The final lines can be misleading if you don’t think about what they are saying:

The last thing I worried about
Is impressin’ y’all
True kings don’t demand respect
You respect the don.


This sounds like normal bragging rights Hip Hop chatter, but the meaning is almost elusive. N Talekt is saying he does not care about impressing his listeners because there are other more important things on his mind. This is a direct slap to all Hip Hop types concerned with the big flash sound without content. Secondly he is stating that if you have to ask for or demand respect, then you don’t deserve it. It is more a matter of getting respect for what you are … respect that is given freely having been earned.

The second point of this song is to tell a personal story of N Telekt’s struggles with the kicks of life. You are in a particularly hard place to be when you are crushed by the multiple losses of loved ones and when you now become the rock that has to support the family. The trouble with all this is you get everyone else through, but in the end you suffer the deepest trauma. You eventually realize that you need support too, but there is only the dependency of others.

Just as I realized when my music returned that I was on the road to my recovery, I sincerely hope this is the same sign for N Telekt.

_________________

Listen to "Diamond":


















Larry Ludwick's music can be found at:

It is a mixture of Electronica, New Age, Smooth Jazz and even some Classical.

N. Talekt

Wednesday, January 28, 2009

Official So Cold Tracklist

The art will be out by the end of the week, but I've finally decided on the tracklist, and it's as follows:
  1. Intro
  2. Award Tour
  3. Stay a While
  4. Talk It Over
  5. So Cold
  6. Diamond
  7. To the Sky
  8. Gave My All
  9. Keep Dreaming
  10. I'm Back (Bonus)
While there may be other bonus tracks, the above are 100% confirmed and ready to go.  

Why these tracks?  They all tell a pretty complete story together while not becoming overly repetitive or boring.  Each track builds upon a whole story, a complete picture, discussing everything I've been dealing with.

There's almost two tales being told by this mixtape, distinctly separated (which you'll easily pick up when you hear the mixtape), but by hearing the first tale, you have a deeper appreciation for the second.

A number of other tracks were recorded for this that simply did not make it, and I'm not sure when nor if I will release them.  If you've been following my music, then you know that a good deal of what I write never makes it on record, and I'm perfectly fine with that.  I'll keep you posted on those.  While I'm happy with the tracks that didn't make it, they didn't particularly fit the story or add anything substantial that wasn't already there.

I'm very excited about this project and hope that it won't be another three years before I put another one together!  If you've heard all the tracks released from So Cold so far, you know I've got the creative juices flowing and I'm hoping to continue that and release some fresh new tracks soon, and continue to push the envelope.

Ah, it's gonna be a cold winter...

N. Talekt

Tuesday, January 27, 2009

Song Review: Eileen M. - Empty Apologies

Review for: Eileen M's "Empty Apologies"

Featured on: Soundclick.com

I miss the old days.

Nowadays you're pretty hard pressed to find quality R&B that's not over some over-hyped hip-hop infused drama called an instrumental.  Not to say that it's all bad, as I enjoyed the dynamic it created on As I Am by the one and only you-know-who.

Today, I was lucky enough to come across Eileen M's "Empty Apologies."  As you can expect, its a song about deceit, shortcomings, and regret.  Musically, bass drums and simple piano guide us through her story that, sure, we've all heard before, but that doesn't mean it's not worth listening once more.  A tease of strings also bring back a slight classical nostalgia, which makes this song drift away from its contemporary counterparts I alluded to before.  Lyrically, this is actually fairly maturely written for an "underground" artist.  The song structure is consistent and shows good discipline, all the while Eileen keeps the song fresh and interesting.  The hook is sultry and captivating, actually very well done.  I personally would have engineered it a bit different but this certainly works well.

That said, the performance, like much "underground" music, is raw, so you'll get a couple notes and lyrics that aren't as polished as they could be, mainly in the verse sections.  There could be touch-ups here and there but the reason I'm vague about these points is simple because it's just not enough to take away from the song.

With polish, I feel like this song could be quite outstanding.  Without it, it's very good.  The quality is actually just fine, even on the higher notes (yes, there are higher notes, Eileen does display some of her range on this song, leaving me to believe there's actually more to uncover).  Just the details, like the notes I mentioned and actually finishing the song off, would make this complete as it deserves to be.

And it also deserves a listen.  So, enjoy:



















N. Talekt


Monday, January 26, 2009

Update: So Cold Tracklist Tomorrow!

Wanted to update you guys on So Cold.  Tomorrow will indeed be the last Tuesday you'll have to live your life without So Cold available to you! :)   And on that day, I'll release the official tracklisting.

Let me tell you the story of the life of a true perfectionist.  I've got nearly four hours of music sitting here that I could have thrown on this mixtape, but I have decided to whittle it down to a mere 9 tracks, just over thirty minutes.  It's not that I dislike the other songs; rather, I either don't feel like it's just right or it doesn't fit the mixtape, or it's too personal.  Regardless, it's going to be a short mixtape, but it will definitely be quality tracks that I'm sure (er, hope) you'll enjoy.  Being that the tracks are so personal to me, I, quite frankly, did not write a lot of this with an audience in mind.  That said, I feel like one of my talents is the ability to put my thoughts, ideas, and, in this case, grief, into lyric, music, and song.  And I think it all fused together quite well on this mixtape.

I'll speak a bit more this week about the track selection, writing process, and the motivation behind the mixtape itself.  I'll also post up the artwork this week.

... it's gonna be a cold winter ...

N. Talekt

Interview: So Cold Pt 4

Here's the latest and last installment of the So Cold interview, discussing its release and future work.


















OR

http://soundclick.com/share?songid=7277021

N. Talekt

Wednesday, January 21, 2009

Announcement: So Cold Merchandise!

For the past few months I've been telling you that it's gonna be a cold winter ... well, now you can get prepared for it by purchasing some "So Cold" merchandise!  I've started a product line called "A Don's Apparel," which will primarily have t-shirts with quips, quotes, and what not, but I'm starting it off with the "I'm So Cold" line.  You can get shirts, mugs, even a teddy bear -- how cool is that?!

If you're not going to immediately buy the bear, I recommend the hoodie:


You can check out this and all the products available at:


If you aren't personally interested then just spread the word. :)  As always thanks for your continued support.

N. Talekt

... it's gonna be a cold winter ...

Tuesday, January 20, 2009

Egoism in Hip-Hop

I've been making Hip-Hop music for some time now, and listening to it even longer.  And I'm often asked a lot of questions about hip-hop not only from those outside the genre, but also from those getting into the genre.  I'm going to try to publicly field some of the questions I get more often as they become relevant.

One question I get a lot concerns the ego-ism we see in hip-hop today.  Every rapper is the best and every other rapper doesn't compare.  The question is simple: why?  

Growing up in my shoes would make this answer apparent but perhaps someone can use this discussion, er, monologue, to vicariously walk in my shoes.  While I have always been more of a fan of R&B, I've picked up a thing or two about hip-hop. :)

Hip-hop has strong roots in competition; always has, always will.  In fact, hip-hop battles were not always about beef or hatred; rather, they were about showing off skill, quick wit, and creativity.  A game of one upsmanship, just to see who's better.  My theory is that with the evolution of the game and the introduction and explosive popularity of gangsta rap, mixed in with the times, a more aggressive form of ego-ism has been pushed to the forefront.  No longer is it just good to be better, but you must be unquestionably better ... or else.

Still, nothing has changed.  Being the best at what you do is part of the "game" ... and in this game, why play if you're not out to win?  Personally, I think that there are far too many artists out today with the opposite effect of ego-ism going on -- they are content to be mediocre, happy to follow the beaten path and do the same thing as the next man.  And there are those that truly see this as their only way to move ahead, so of course they are going to take the safe, established path.  Of course, I doubt any of those people are reading this blog if they are in that situation.

I think artists should strive to be the best at what they do, and when you are that good, why hide it?  If you can walk the walk, there's no shame in talking the talk.  I do feel, however, that you can't walk the walk by talking the talk.  Your hottest song shouldn't be about how hot you are.  Telling the world that you're the best and actually being the best are two different things.  Ironically, those things aren't as far apart as enthusiasts of the art would like to believe, but they are not one in the same.  If I tell you I'm the best a million times then soon enough, you may start to think I just might be the best.

Much of the scrutiny regarding ego-ism in hip-hop looks to the aggressive braggadocio, the countless artists demanding that you know they are better than everyone else in their intimidating (or not-so-intimidating) lyrics.  However, it's not just there.  Think of a man they call Kanye West.  I don't think I need to go into examples as to why he fits this discussion, but you see my point.  However, the difference between him and those spoken of when we talk about egoism is that his music does not have himself being the best as the focal point of the subject matter.  Instead, he goes in the booth and makes incredible music, then tells everyone he's the best. :)

Ego-ism is always going to be a part of the game.  It's naturally competitive, and where there's competition, there's someone who wants to be better than everyone else.  While I won't argue that some people don't deserve to utter those words from their lips, I understand the motivation.  Where I'm from, and anybody in that situation will attest to the same, it's a lot easier to find people to bring you down than it is to find genuine supporters.  That said, it's a lot easier to use your own words to motivate yourself in believe you're the best than waste time having other people say so.  You'll be hard pressed to find an artist putting over another artist just for the hell of it.  It's just the way it is.  Honestly, I have a lot more people who support my music outside of my hometown than in it.  Worse (and this is a topic for another day), you're hard-pressed nowadays to find a genuine rap fan -- everybody wants to be a rapper.

I think therein lies part of the issue regarding some of the unwarranted ego-ism.  Some people don't understand the roots of it, and they instead duplicate what they hear.  While imitation is the sincerest form of flattery, it is actually rather annoying in this context.  If you're not being creative and not pulling from your heart or experience, but rather, something you heard or saw, I may enjoy your work, but I can not respect you as an artist.

That said, I believe Nasir Jones once said that "no idea's original."  So it does become difficult to determine when someone is imitating versus when they are being genuine.  For me, it's something you've just gotta feel in the music.

And when you get to that point, you won't have a need for ego-ism.  You will be, that good.  To me, that's the best way to truly show that you are, indeed, the best.  However, we don't live in a perfect world.

So, in closing, ego-ism certainly has its place in hip-hop, and it always has.  However, nowadays there's always someone telling you what you can't do, why you can't do it, and why you'll never make it, that sometimes it's more of a reflex than bragging, a defense mechanism if you will.  Other times, it's simply competitive.  However, I don't need to hear a whole song about why you're the best; as I said, you can't walk the walk by talking the talk.

Just shut up and make good music. :)

N. Talekt

Official Release Date Announced!

Hey all,

Just a quick notice, if you haven't heard already! :)

So Cold will be officially releasing February 3!  That's two short weeks from now!

I'm very excited about the project and can't wait to have everything wrapped up.  The music is just about done, I'm getting in some final tweaks and getting the packaging and artwork straight.  The response so far has been great and I'm glad you all have enjoyed the work.

From the tracks I'm sure you've gathered that it's been a long year for me.  They say what doesn't kill you makes you stronger and right now I'm feeling like Samson.  Putting things in music has really helped me deal with my situations as I can be honest with myself through the art.  During this time there was a lot of things written and I selected only 10 tracks because there's a lot about the same topics and some things that are too personal to release right now.  I think the track selection is great, it has a nice variety while at the same time being thematic.  

So, what's next between now and 2/3?  Be on the lookout for the final installment of my interview on So Cold, as well as the official tracklisting, a couple new tracks, and more!

... it's gonna be a cold winter ...

... and tomorrow, I'll start getting  you ready for it ... stay tuned ...

N. Talekt

Monday, January 19, 2009

Interview: So Cold Pt 3

Part 3 of the interview is up, discussion my thoughts on the imminent success of the mixtape as well as The Freedom Trail.


















OR

http://soundclick.com/share?songid=7254485

N. Talekt

Thursday, January 15, 2009

New Release: "Gave My All"

I'm back with another release! This might be the last song from So Cold to come out before the mixtape drops on February 3, but I hope to put out more music before then.

Anyway, "Gave My All" is one of my favorites from So Cold. It's a fresh track about efforts wasted in holding on to a relationship that was not meant to be clutched so tightly. I guess wasted isn't the best word choice, maybe futile efforts is better. Anyway, it's an interesting track because it's on a high-energy track with Latin influence, but it meshes effortlessly with the song content and they combine to make a really interesting track and a nice story.

I'll warn you now, it's not a short song, but it's worth the listen. As of this writing this is the only song I've completed for So Cold that features another artist (though there are some in the making). DK of the Richmond-based group "Velvet" helps me out here on the hook and bridge, and sews up what its a great musical effort. He's got a great vocal range from falsetto to bass and all in between. Look for more from him sooner than later.

But as always, don't just take my word for it ... have a listen!


















OR

http://soundclick.com/share?songid=7240648

N. Talekt

Above Average

While I touched on this topic in a recent interview, I wanted to go a bit more in-depth on being different than the other artists. The question: what makes you more than just your average rapper?

See, the thing with me is, I record music that I feel like will either connect or I think people will be interested to hear. But for every song you hear from me there's so many more that'll never leave my rhyme book. Music, to me, is more of a passion than a pasttime. It's powerful, provocative, inspirational -- there's so much that music has the power to do. The music in my rhyme books typically act as a personal outlet -- either for creative purposes or theraputic healing. The music I record tends to be music I think will be inspirational, moving, or interesting to others. So Cold is actually the first body of work I've recorded where I didn't really care about an audience per se', but rather, I recorded the type of music that I tend to keep to myself or in my close circle.

But I digress. In regard to the original question, and I talked about this in the recent interview I did, I feel like I approach music in a different way than most people. I'm at the point where I'm confident in my ability to write and record good music, and now I'm trying to actually go to the next level. I want to be on that "classic" level -- not classic like Nas or 'Pac, I mean classic like Michael Jackson or Luther Vandross. It's kind of like the gripe Kanye had recently with winning "Best Album of the Year" versus winning "Best Rap Album of the Year."

There's a fair number of people who are not traditional hip hop fans who enjoy my music because they can relate to it or they can appreciate it, and I feel like my music is getting to the point that it can be appreciated as more than a good "hip hop" song, but rather, a good song. I definitely do not want to stray from the hip hop genre, but I'd like it to be appreciated on a broader scale, without losing my roots.

I have a ways to go before I get to where I'd like to be but I listen to the music I'm making today and the reception I get today versus my older work and there's a clear difference, and that's where I want to be. Not that I can't appreciate my old work, but I feel like time has only made me better.

So how is N. Talekt above average? Well, maybe I'm not -- music is subjective, I won't be in everyone's top 10 :). But I think there are things that make me stand out as an artists. I put a lot of effort and detail into how I write my lyrics -- yes, I still write them -- while musically exploring various types of beats, rhythms, and tactics. My latest release, "Gave My All," is a perfect example. I recorded this on a high-energy, non-hip-hop beat, but I'm amazed at how well the song content (a relationship lost despite my efforts but learning to let go). It brings emphasis on the fact that, while there is an upbeat tempo, the despair is still felt and the instruments actually work.

I don't think it's especially hard for other artists to begin to separate themselves from the masses either, I think it takes first, making music through personal experience, as no one on this earth has lived the life you're living. Second, be comfortable with yourself and confident enough to look at yourself and your music objectively. As I said on "Can I Get Signed?," "only a true artist can paint a self-portrait." Finally, once you're able to do that, dare to venture out of your comfort zone. Find your niche, then expand. Learn. Grow. Don't accept mediocrity, don't be content with complacency. That growth will help you connect with larger audiences, and you'll then reach the tip of the iceburg in regard to wielding the power of music.

N. Talekt

Monday, January 12, 2009

Interview: So Cold Pt 2

Just a quick note, the next part of the So Cold interview is up, you can listen below. More to come!


















OR

http://soundclick.com/share?songid=7231532

N. Talekt

Tuesday, January 6, 2009

Interview: So Cold Pt 1

After a few technical difficulties this morning, here's the first part of an interview I did, talking about the upcoming mixtape, So Cold. More to come...


















OR

http://soundclick.com/share?songid=7213949

Monday, January 5, 2009

So Cold Details

Just a quick update, expect more details on the So Cold mixtape to come very soon. It's finally wrapping up (quite nicely I might add) and there's some pretty exciting things going on with it that I'll be discussing as the release date approaches.

Speaking of which, I've finally settled on one -- February 3, 2009!

Either later today or tomorrow I'll post the first of a few interview snippets that I have discussing So Cold.

Stay tuned, it's gonna be a cold winter ...

N. Talekt

Friday, January 2, 2009

The Art of Mixing

So I just finished mixing another track for "So Cold" and it truly solidified my opinion that a good job mixing a track is just as, if not, more, important than actually laying the track.

For me, mixing is quite a tedious process as I don't have any professional training in it, so I'm pretty much playing it by ear. I have an idea of the basic do's and don'ts, but I'm not familiar with the terminology nor all the tools that Cool Edit Pro + plugins have provided me.

I just know what sounds good.

I think there's certainly an art to mixing a track -- knowing where to emphasize vocals, adding space, panning, and reverb appropriately, outside effects, and the like adds so much value to the song. I've learned a lot through trial and error, having mixed pretty much every track I've recorded since (and including) the "Can I Get Signed?" CD was released ... and I did that one twice!

It's no secret -- I'm a fan of reverb. I think the extra dimension it adds makes things a bit more profound, and many beats these days have reverb on the instruments so adding it to the vocals in certain places helps the song fit together better.

Panning is a newly-discovered friend of mine. When there's a lot going on in the center of a track, moving some vocals to the left or right just seems to make things fit better in that section of the song. Additionally, when you're working with multiple artists (or multiple voices), it's a nice way to help have everything heard as well.

All in all, I think a good mix job is important to actually completing your track. You can't just lay your vocals down, export to MP3, and think it's all good. Having listened to a lot of underground music today, I think that aspect of music has been forgotten and should be focused on a bit more to create more complete and impressive tracks. For me, it's interesting to figure out where vocals should be emphasized, where an effect should be placed, and also allowing the beat to come into play a bit more as well. It's tedious, it's tiring, but it's also what can make or break a song.

Hopefully, I'll continue to get better at this and have some quality mixes come "So Cold."

N. Talekt

Thursday, January 1, 2009

New Release: "Keep Dreaming"

First off, Happy New Year. Hope you all have a good start to 2009.

I'm hoping to do the same, kicking things off with a bunch of new material! Heading up the blitz is my latest release, "Keep Dreaming."

This is a more high-energy track than "Diamond" which highlights different perspectives of those involved in some of the trials I've been wading through lately, and presenting the bridge over these troubled waters. While it's certainly a different style of song than "Diamond," it's one of my favorites on the mixtape because it's not the typical type of track I perform and I enjoyed exploring that style. Once again, kudos to VybeBeatz on the production.

Yeah, it's hot. But don't just take my word for it: have a listen!



















OR

http://soundclick.com/share?songid=7199443

More to come soon ... it's gonna be a cold winter ...

N. Talekt